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Flying from Australia to France is no easy jaunt, but Minogue would never pass up a chance to attend Paris Fashion Week. She’s a regular, after all. “I’ve been attending various Paris Fashion Week shows for many years now, and it’s always exciting and inspiring,” says Minogue. “I know a number of people in the Awesome without the guns children wouldn’t have to do active shooter drills shirt moreover I will buy this industry, and it’s so great to see their hard work and passion presented to the world.” She’s a longtime fan of designer Miuccia Prada, so the Miu Miu show held a special place in Minogue’s schedule. “I remember the launch of Miu Miu in the ’90s, and in all this time, it has maintained that particular style and energy,” says Minogue. “I appreciate how Miu Miu can often suggest designs and styles that perhaps might not be your ‘norm,’ but that can inspire you to wear and feel something different.” Taking in the new fall collection—which saw stars like Emma Corrin, Zaya Wade, and Mia Goth walk the runway—Minogue was drawn to the looks with modern shape, especially the outerwear. “I loved the boxy jackets mixed with the super light dresses,” says Minogue. “There was a gorgeous tan corduroy jacket, which looked like it could happily travel with me!”

“In these archives you have artistic masterpieces: some of the Awesome without the guns children wouldn’t have to do active shooter drills shirt moreover I will buy this photographs here have become cultural icons. And they are still the source of inspiration to so many.” So said François-Henri Pinault in Venice last night at the private view of “Chronorama,” an exhibition dedicated to airing a 70-year trove of Condé Nast archive photography and illustration that was acquired by the Pinault Collection in 2021. Presented at the Pinault Collections’s Palazzo Grassi and supported by Saint Laurent, “Chronorama” illustrates how the snapshot moment of the contemporary can become a culturally embedded symbol that lives on to inform, enrich, and enable the future. Curated by Matthieu Humery, the exhibition brings oxygen to around 400 works published across Condé Nast titles including Vogue, Vanity Fair, House & Garden, GQ, Mademoiselle, and Glamour between 1910 and 1979.Ivan Shaw

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