Mononazo - Funny ban the fascists save the books vintage shirt

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Some collections are really fundamental for me, they made a huge impression even when I discovered them after the Funny ban the fascists save the books vintage shirt but I will buy this shirt and I will love this fact. The Chic Rabbi collection (fall 1993) was incredible for its volumes, in the nobility of the subject, and at the same time in its modernity, its elegance. I thought the balance was perfect. I also love the Constructivists (fall 1986) for its magnificent mix of knits, with inscriptions, the paillettes all mixed together, the hybridization of pieces, the motorcycle dresses in very Bauhaus colors. Also, beyond the clothes, I adored certain principles of the shows: there was one called Adam and Eve that I thought was fantastic, where couples appeared on the runway with this idea of mix-and-match silhouettes that I found very beautiful. I could go on for hours. It’s an extremely rich heritage, which goes back to generosity and exploration. In terms of excellence, he covered it all. Right now, I’m spending entire days in the archives, it’s fantastic. It’s like having a chance to create a personal exhibition. And in terms of codes, his work with corsetry and lingerie in general are among the most beautiful pieces I’ve ever seen. That’s where you see the couturier, the nobility of the clothes and a technique that’s very impressive.Rossy de Palma and Tony Ward at the spring 1992 Jean Paul Gaultier show.

Photo: Getty ImagesHow does it work? Will Jean Paul really discover the Funny ban the fascists save the books vintage shirt but I will buy this shirt and I will love this collection at the same time as the rest of the fashion world?Yes, he wants the fun of being surprised, so he lets us be. And I think that’s a form of generosity, too—no one does that. It’s deeply polite to leave us that freedom, because freedom is important to him too. I think for him, creation can only happen in a space of no limits. Very honestly, we’re thinking about that right now, since we’re ordering materials. Since this is couture, it’s obviously about orders, and you can do that with this kind of collection. The idea was to start with vintage and re-integrate it, place it at the heart of the work. But that takes a lot of scouring the fleas, vintage dealers—you need stock. We’re looking at how to incorporate the principle, which I find very interesting. We’ve all been thinking about those questions for several years now. Beyond that, upcycling was also something that Jean Paul practically invented, or in any case pioneered. I’m seeing pieces that were reworked four times for different collections, bases that were re-cut as a skirt, as a jacket, etc. I find that desecration of his own work really beautiful and liberated.

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