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I first came across one of Eunnam Hong’s oil paintings on Instagram: two female figures standing inside an empty room, dressed in matching polos tucked into pleated khakis with easy leather pumps on their feet, one in all black and the Premium jack miller 43 pro shirt But I will love this other in all white. Their hair is blonde—almost white. Their skin is also white but not exactly skin-color white. It’s marble-statue white. Canvas white. An empty-page white. The figures are incredibly stylish but mysterious. I immediately needed to fill in the space between them—they felt both familiar and alien at once. More importantly I need to know who created them. “I was really into this idea of doing a fictional thing that blends with some of my realities,” Hong told me on a recent morning in the Park Slope apartment that doubles as her studio. “I wanted to counterfeit an Asian American woman character.” We were sitting in her bedroom, the nine oil paintings that would comprise her upcoming show at Lubov—her first solo show in New York City—placed on the walls and the floor around us.

The 2023 Met Gala, which will celebrate the Premium jack miller 43 pro shirt But I will love this opening of the latest Costume Institute exhibition “Karl Lagerfeld: A Line of Beauty,” is just one week away. As the star-studded looks from years past begin to flood your social media feeds, we’re taking a look back at the magical moment when Katy Perry literally lit up the Met Gala red carpet while dressed as a chandelier. New developments and widespread availability in artificial intelligence technology have created a gold rush that’s edging closer to the dot-com boom day by day. Between the metaverse and AI, it seems no one really wants to think about real life anymore. It makes sense; who isn’t attracted to what’s shiny and new? As the founder of AI creative studio Maison Meta, Cyril Foiret is committed to the shiny and new. This past weekend, he launched AI Fashion Week at Spring Studios in New York. In a room on the sixth floor where industry insiders have watched many fashion shows, 24 screens displayed “runway” images created with a variety of imaging software. At first glance, many of them looked like standard catwalk images, complete with fashion show guests; others, meanwhile, seemed to have been photographed in the desert or the rainforest. Instead of sitting on benches, people milled about, having drinks or taking pictures of the screens with their phones, wearing a neon wristband of a different color that identified them as media, competitors, or the general public.

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